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Cosmogonic myth

Before the Names

Original title: Antes dos Nomes

Before the Universe Had Names

In the primordial void before language and time, ontological forces of gravity, light, and primal matter collide and negotiate their own limits, weaving the physical principles and the realms of cosmic creation.

Six-volume cosmic saga

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The story

In the primordial void before language and time, ontological forces of gravity, light, and primal matter collide and negotiate their own limits, weaving the physical principles and realms of cosmic creation. Antes dos Nomes has no human characters, no urban settings, and no investigative plot — it is a planned six-volume mythic prose-poem (24 chapters, roughly 544 pages) in the register of Hesiod's Theogony and Ovid's Metamorphoses, currently in early narrative-treatment drafting (about 9,300 words compiled) under an active naming-and-terminology review.

A sovereign literary art object — cosmogonic myth in the tradition of Hesiod's Theogony and Ovid's Metamorphoses, not a mass-market entry point. The author's own diagnosis: a signature, ceiling-defining work for later in the catalog's life, not a door in for a first-time reader.

Why it stands out

The project is conceived as a cosmogonic mythic prose-poem rather than a conventional plot-driven novel. Its current materials explore illustrated and audio forms as possibilities; no market validation or buyer interest is claimed.

The world

A primordial cosmogony: ontological forces of gravity, light, and primal matter, personified without being named as deities, negotiating the physical laws and realms of a universe still being created. This title is under active naming and terminology review (a dual-gate process per the work's own governance) — no specific entity names are presented here out of respect for that open gate.

Characters

By design, this work has no human characters, no urban settings, and no conventional cast — its "characters" are ontological forces (gravity, light, primal matter) still under active naming review. This is not a gap in this page; it is the nature of the text, stated by the author's own pitch materials as the reason it is not a commercial entry point.

Scope and formats

Planned six volumes and 24 chapters. Early narrative treatments exist; this is not a completed book manuscript.

Could become
Books, Audio
Who it is for
The author's own stated audience, and a narrow one by design: readers of cosmogonic poetry and sacred-text-adjacent literature (Hesiod, Ovid, Milton), visual artists, composers, and comparative-mythology scholars — not a general fiction readership. This is presented as-is rather than broadened, because broadening it would misrepresent what the work actually is.
Adaptation ideas
Illustrated and audio forms may be explored as artistic possibilities. No market validation, buyer interest, or adaptation package is documented.
Stage
Story structure and naming in development
Development materials
One-page pitch, series strategy and positioning memo, and early narrative treatments (v0.2, approximately 9,264 words). These are treatments, not a completed book manuscript.

For publishers and producers

Each work has a development dossier. Ask for the one that interests you and it comes with a first conversation.

  • One-page pitchLogline, tone, audience and why the story stands out.
  • SynopsisThe full arc of the book or the series.
  • World and charactersSetting, main cast and the conflicts that drive them.
  • Series planHow the story grows across books and formats.

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